[PDF.36qp] Duchamp and the Aesthetics of Chance: Art as Experiment (Columbia Themes in Philosophy, Social Criticism, and the Arts)
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Duchamp and the Aesthetics of Chance: Art as Experiment (Columbia Themes in Philosophy, Social Criticism, and the Arts)
Herbert Molderings
[PDF.yq87] Duchamp and the Aesthetics of Chance: Art as Experiment (Columbia Themes in Philosophy, Social Criticism, and the Arts)
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| #2130239 in eBooks | 2010-06-04 | 2010-06-04 | File type: PDF||1 of 1 people found the following review helpful.| A superb analysis of Duchamp's work providing insight and context ...|By S____|A superb analysis of Duchamp's work providing insight and context into one of the art world's most important figures and the conceptual progression of his practice.||...charming, erudite, and academically thorough volume... (Cerise Press)|About the Author|Herbert Molderings is a freelance scholar and professor of art history at the Ruhr-University Bochum, Germany. The author of
Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and...
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