[PDF.71xr] Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking (Musical Meaning and Interpretation)

Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking (Musical Meaning and Interpretation)

[PDF.fw86] Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking (Musical Meaning and Interpretation)

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 | #594259 in eBooks |  2016-09-06 |  2016-09-06 | File type: PDF

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||0 of 0 people found the following review helpful.| Five Stars|By Patricia Izbicki|Great condition!| ||"One of the best studies on the role of conceptual metaphor in music comprehension and theory I've ever read." ―Mark Johnson, author (with George Lakoff) of Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought

|"Highly

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exerti...

You easily download any file type for your device.Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking (Musical Meaning and Interpretation)   |  Arnie Cox. A good, fresh read, highly recommended.

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