[PDF.61ng] Oye Como Va!: Hybridity and Identity in Latino Popular Music
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Oye Como Va!: Hybridity and Identity in Latino Popular Music
Deborah Pacini Hernandez
[PDF.rb72] Oye Como Va!: Hybridity and Identity in Latino Popular Music
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| #1123905 in eBooks | 2010-01-25 | 2010-01-25 | File type: PDF||1 of 1 people found the following review helpful.| Oye Como Va!: Hybridity and Identity in Latino Popular Music|By Javier Meza|I used this book for my class. It serves its purpose as a book.||
“Oye Como Va! provides an incisive historical and contemporary overview of all the major popular musical genres defined as ‘Latin.’ Pacini Hernandez presents an insightful, coherent, eloquent, and engaging analysis of the hybridity of La
Listen Up! When the New York-born Tito Puente composed "Oye Como Va!" in the 1960s, his popular song was called "Latin" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente’s tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands wi...
You can specify the type of files you want, for your gadget.Oye Como Va!: Hybridity and Identity in Latino Popular Music | Deborah Pacini Hernandez. I really enjoyed this book and have already told so many people about it!
