[PDF.65vz] The Performance of 16th-Century Music: Learning from the Theorists

The Performance of 16th-Century Music: Learning from the Theorists

[PDF.xx00] The Performance of 16th-Century Music: Learning from the Theorists

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 | #738093 in eBooks |  2011-03-30 |  2011-03-30 | File type: PDF

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||1 of 1 people found the following review helpful.| Not a starting point and not a general overview|By stpaul2010|This covers a few specific areas of 16th century music, such as modes, solfege, and other theory, with discussions on the aesthetics of reading independent lines from part books. There is also an interesting chapter on what was expected of musicians of the time, but little else on the day-to-day experience of musici| ||"The 200-plus pages are spilling over with practical information, historical details, amusing and often provocative quotes from composers and performers of the period, and just about anything else that today's performers of 16th-century music need to know. An

Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning.

The Performance of 16th-Century Music will enable the performer to better understand this m...

You easily download any file type for your device.The Performance of 16th-Century Music: Learning from the Theorists   |  Anne Smith. I was recommended this book by a dear friend of mine.

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